Tampilkan postingan dengan label Selingan. Tampilkan semua postingan
Tampilkan postingan dengan label Selingan. Tampilkan semua postingan
Kamis, 18 April 2013
Wayang Kardus Ki Slamet Esser
Kamis, April 18, 2013
Aset, FoPSeT, GPT, Industri/ Ekonomi Kreatif, Inspiratif, Kebumen, keraifan budaya, Obesesi, Profil, sederhana, Selingan
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Wayang sebagai
ekspresi budaya masyarakat, memiliki beragam penampilan. Dari yang tertua
(wayang purwa) yang direkayasa oleh
Sunan Kalijaga dari mitos Hindustan sampai Wayang Mikael karya seniman lukis
dan teater Kaji Habeb (UIN Jogja) pada dasarnya berfungsi sebagai media
komunikasi, pencerahan (dakwah) dan
hiburan. Banyak cara dilakukan oleh sang dalang dalam mengoptimalkan fungsi
wayang. Misalnya dengan memasukkan unsur pentatonik, tata lampu, komedi dan
sebagainya.
Wayang Kartun
Seperti
dalam wayang improvisasi pada umumnya, Wayang Kartun kreasi Ki Slamet Eser memiliki ide cerita yang
bersumber pada realitas kehidupan di lingkungan sekitarnya. Mengambil bentuk
kartun, ia memunculkan dua tokoh sentral : Panjul
dan Prentul. Panjul adalah sosok manusia kudisan, bodoh dan selalu menjadi
bahan cemooh orang-orang di sekelilingnya.
Punya semangat juang tinggi tapi hidup dalam himpitan kemiskinan
ekonomi. Singkatnya, Panjul adalah personifikasi pribadi Ki Slamet Eser.
Tokoh Utama: Panjul, Prenthul dan Sri Nyolowadi
Panembrama
Gaya mendalang
Sosok lain yang
menjadi tokoh sentral Prentul. Ada dua versi pendapat yang dimunculkan sang
dalang. Pertama, menggambarkan sosok birokrat di lingkungan kebudayaan yang
perlente, berpenampilan ala seniman tapi selalu berbicara layaknya pejabat yang
selalu mengaitkan kegiatan apresiasi budaya dengan keterbatasan anggaran dan
segala fasilitas pemerintah. Dalam hal ini, sosok Prentul diposisikan sebagai
tokoh antagonis. Versi kedua, Prentul selaku kurator. Pada pentas perdana di
ajang Gelar Panggung Teater I – 9 Januari 2009 di Gedung PGRI Kebumen Jawa
Tengah, kedua sosok ditampilkan secara bergantian tanpa batasan yang jelas.
Satu lagi bentuk
energi besar Ki Slamet Eser adalah kegigihan membangun komunitas budaya “Guyub Larak” yang hampir setiap saat akan
tampil di suatu event kesenian selalu berganti personal. Entah bagaimana
caranya, ia selalu mendapatkan darah baru dari beragam kalangan. Pelukis, pengamen
jalanan dan tukang parkir. Ada juga sosok mahasiswi yang kemudian diangkat
sebagai tokoh Sri Nyolowadi, pendendang lagu-lagu campursari yang digandrungi
oleh komunitas lokal.
Sebagai seniman
potensial, energi berkesenian Ki Slamet Eser sangat luar biasa. Karena
keluar-biasaannya, banyak orang yang menghindar darinya karena beragam alasan.
Ada yang menilai ide-idenya sangat “ liar “. Karena itu sangat sulit diikuti
arah tujuannya. Ada juga yang melihat penampilan keseharian yang kumuh, suka
memaksakan kehendak di balik “sosok memelas” dan beragam penolakan yang
menyebabkan dirinya sering terjerembab dalam kesendirian.
Apapaun
penilaian orang, Ki Slamet Eser tetap berjalan dengan langkah dan logika yang
dipahaminya. Seperti kebanyakan seniman eksentrik, ia terus mengeksplorasi
energi berkesenian dalam tubuhnya. Seolah tak peduli dengan sikap dan omongan
orang di sekitarnya, apapun yang terjadi, the
show must go on.
Kolaborasi
Pernah dimuat di sini
Minggu, 10 Maret 2013
Slideshow Temu Karya Kerajinan Nasional 2010 di Jakarta
Temu Karya Nasional Hipando 2010 Slideshow: Toto’s trip to Kebumen (near Wonosobo) was created with TripAdvisor TripWow!
Jumat, 29 Juni 2012
A Gemstone Craftman from the Edge of River Luk Ulo at Pasarpari, Kebumen Downtown
Jumat, Juni 29, 2012
2012, Festival, Hanito Kreasindo, Kebumen, Pameran dan Workshop Kerajinan, Selingan
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River Luk Ulo, just like as its name, twisting as a python which was
walking from upstream to downstream. This river upstream is in a gap at hills
of The Thousand Mountains in the North.
The flow of the river route to South until downstream and was going into the
Indian Ocean. Near the upstream, there is a very unique geological sites, Sites
of Geological (Geo Park) Karangsambung. From downtown, it’s about 19
kilometers.
On the site of geopark Karangsambung, there are various kinds of stones:
agate, suiseki, biseki, coal and great pride for residents of Kebumen Central
Java, Indonesia, is the uniqueness of agate which there was the best entire
Asia region, perhaps also in the world. Therefore, the Indonesian
Institute of Sciences (LIPI) set up a special research site and make it as a
scientific tourism.
A citizen of the river Luk Ulo edge at Pasarpari, Kebumen downtown, Subowo (42 years) is an agate craftsman which has been working since the early 1990's. At that time, he received the materials of the existing river below his house. Needless goes a long way in order to choose the desired material without damaging the natural environment at the river which was the source of life for the people around it.
A citizen of the river Luk Ulo edge at Pasarpari, Kebumen downtown, Subowo (42 years) is an agate craftsman which has been working since the early 1990's. At that time, he received the materials of the existing river below his house. Needless goes a long way in order to choose the desired material without damaging the natural environment at the river which was the source of life for the people around it.
Subowo told, the largest environmental changes in the river Luk Ulo was
making more difficulties in getting raw materials. And if any, the price was
going more and more expensive materials. Some types are very hard to obtain.
Indeed, there are two distinctive types of agate Luk Ulo River were purple
amethyst and the ginggang which’s striped. Types of
amethyst in great demand because it brings the myth seeking the wealth. If you
filled a manner and by certain shamans it could be bringing a financial benefit
and strengthen charisma. Meanwhile, the ginggang’s
more diversity motives and preferred color for jewelry. Mainly as gemstones for
gold rings.
Subowo story is a small indication of a great changing in the natural
environment at River Luk Ulo which had
been tending less friendly to the human being because of the damage occurred
continuously from upstream to downstream. In fact, not far from the governmental offices, about 500 meters from
the office Head of Regent, the landsliding at the village cemetery has not been
able to overcome Kebumen properly. Even extending to the South. In addition to
the soil structure which contains a lot of spring water in it, hit the river
water due to the loss of tree cover crops, especially Kendal tree and the
thining layer of sand was mining on a large scale using heavy machinery at the upstream
area around “the dam Kali Gending” and Karangpoh village were adding a heavy
burden of River Luk Ulo. Plus and plus a laying off the soil erosion at South
region for making the bricks, certainly increases the potential
damaging the nature of this river. It
does not include the damage due to the using poison for illegal fishing activities
usually was going on mid-dry season.

























